2025
ARTnews, “Karyn Olivier’s Elusive Art Bears Witness to Hidden Histories”, Betsy Huete, April 2
WISN 12 News, “Meet the artist behind a memorial for a Milwaukee trailblazer”, February 14
Billy Penn at WHYY, “Meet the 4 Philly artists who received the United States Artists Fellowship award”, Natalia Sanchez Loayza, February 7
2024
OnMilwaukee, “City selects Karyn Olivier work for installation at Vel R. Phillips Plaza”, Bobby Tanzilo, October 7
LANDSCAPE ARCHITECTURE MAGAZINE, “Envisioning The Past”, Jared Brey, August 8
The Philadelphia Inquirer, “Five artists at this year’s Whitney Biennial have very close Philly ties”, Bedatri D. Choudhury, August 2
ArtNexus, “2024 Whitney Biennial, Even Better Than the Real Thing”, Raúl Zamudio, June 13
The Philadelphia Inquirer, “At long last, the ‘Dinah’ memorial will be unveiled in Philadelphia’s Logan neighborhood”, Valerie Russ, April 17
OCULA, “Who to See at Whitney Biennial 2024”, Phoebe Bradford, March 14
ARTnews, “A Blazing, Brilliant Whitney Biennial Heralds a New Kind of Body Art”, Alex Greenberger, March 13
Hyperallergic, “First Impressions From the 2024 Whitney Biennial”, Hrag Vartanian, Valentina Di Liscia and Natalie Haddad, March 13
The New York Times, “Whitney Biennial Names Its ‘Dissonant Chorus” of Artists to Probe Turbulent Times”, Siddhartha Mitter, January 25
2023
WNYC All Of It with Alison Stewart, “Artist Karyn Olivier: How A Home Is Made”, July 11
2022
The New York Times, “Art Tells New Jersey Stories at Newark’s New Terminal A”, Sheets, Hilarie M. November 14
Dartmouth Alumni Magazine, “Inspiration Unearthed: Artist Karyn Olivier ’89 digs into history”, Chris Quirk, May-June issue
Cultured Magazine, “At the Parrish Art Museum, Mickalene Thomas and Racquel Chevremont Curate a Group Show That Breaks Through the Noise”, Hannah Black, June 30
Boston Globe, “Gorgeous trash and radical recycling at ICA’s Watershed ‘Revival: Materials and Monumental Forms’” is a group exhibition exploring themes of work and waste”, Murray Whyte, May 26
WBUR, “At the ICA Watershed, found objects are poetic and political”, May 26
2021
The New Yorker, “When Black History Is Unearthed, Who Gets to Speak for the Dead?”, Jill Lepore, October 4th
BOMB Magazine, “Karyn Olivier by Michelle Lopez”, Michelle Lopez, April 23
Hyperallergic, “Your Concise New York Art Guide for July 2021”, July 13
WURD Radio, “Radio Courtroom” Host: Michael Coard, April 11
2020
The Washington Post, “Removing an offensive mural from the University of Kentucky isn’t ‘racial justice’” Opinion by Karyn Olivier, July 6
The New York Times, “Students’ Calls to Remove a Mural Were Answered. Now Comes a Lawsuit”, Julia Jacobs, July 6
ArtForum, “Karyn Olivier” McKee, C.C. May/June issue
Hyperallergic, “Karyn Olivier Subverts the Formal Seriousness of Monuments”, Cardwell, Erica, May 6
Atlas Obscura, “Philadelphia Will Finally Memorialize an Enslaved Woman Freed in 1776”, Chernick, Karen, April 30
Thomson Reuters Foundation NEWS, “As the men of stone fall, who should rise up and take their place?” Nellie Peyton, July 2
Lexington Herald Ledger, “Here’s how UK could end the mural debate, stop a costly lawsuit and improve higher education” Blackford, Linda, July 27
Whitewall, “Karyn Olivier Questions Monuments, Memory, and Absence”, Katy Donoghue, Summer issue
Landscape Architecture Magazine, “A Monumental Task”, Jared Brey, Dec 30
The Art Newspaper, “Murals that ‘whitewash’ American history come under fire” by Helen Stoilas July 10
Union of Concerned Scientists Blog, “U.S. Universities Must Stop Honoring Racist Scientists of the Past”, by Adam Markham, July 14th
CBC Radio, NPR station, “As It Happens” Host: Nil Koksal, July 7
Hypebeast, “University of Kentucky Sued Over Plans to Remove Mural Depicting Slavery. A Black artist’s work that accompanies the original piece also faces removal”, Leung ,Gabrielle, July 7
Artblog, “Of monumental proportions, Karyn Olivier’s ‘Everything That’s Alive Moves’”, Smith, Alex, March 23
The Architect’s Newspaper, “Solo exhibition at ICA Philadelphia explores our link to monuments”, Simmons, Shawn, March 2
Philadelphia Inquirer, “Art and monuments: At ICA, two Philly sculptors grapple with who gets celebrated”, Hine, Thomas, Feb 16
Broad Street Review, “Moving Monuments”, Day, Gary Feb 16
630 KHOW Talk radio, “The Ross Kaminsky Show”, July 9
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The Brooklyn Rail, “Emanation 2019”, Beckenstein, Joyce, July
Philadelphia Inquirer, “Philadelphia artist is chosen for the new Dinah Memorial at Stenton”, Russ, Valerie, Nov 7
6ABC TV Station, “Percent for Art 60”, Documentary by History Making Productions,” Aired on 6ABC December 1st
Philadelphia Inquirer, “You can vote on artists’ proposals to memorialize Dinah, the once-enslaved woman known for saving Philly’s Stenton House”, Russ, Valerie, September 19
The Agenda Art, “Karyn Olivier exhibition in Murate-Florence highlights”, Milani, Roberto February 7
Artribune, “A Ostia c’è Arte in memoria, la Biennale che celebra il ricordo”, Sisca, Ofelia, February 10
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The Washington Post, “Some saw a University of Kentucky mural as racially offensive. Here’s the school’s solution”, Anderson, Nick, Aug 24
Lexington Herald Ledger, “UK’s controversial mural at Memorial Hall is reimagined in a ‘divine space’”, Blackford, Linda, Aug 16
Courier Journal, “UK adds artwork next to mural with racial images to deepen the dialogue”, Watkins, Morgan, Aug 17
The Chronicle of Higher Education, “What the U. of Kentucky Did About a Controversial Campus Fresco Depicting Slavery”, Hansen, Claire, Aug 14
Lexington Herald Ledger, “A picture-perfect response at the University of Kentucky” By Herald-Leader Editorial Board, September 12
National Coalition Against Censorship, “University of Kentucky Unveils Installation to Encourage Dialogue about Race”, Garnett, Joy, Aug 28
WUKY (NPR station), “Memorial Hall Artist Karyn Olivier Isn't After Resolution. She Wants More Questions.” James, Josh, Aug 15
Kentucky Kernel, “Once anonymous, now revered: Memorial Hall art adds context to debate of race in art”, Rick Childress, Aug 16
Public Art Review, Issue 57, 2018 Volume 29, “Monumental Changes: What will we choose to honor now?”, Jon Spayde
UKNOW: University of Kentucky News, “'Witness' New Perspective on Kentucky History”, Hale, Whitney and Wells, Jenny, Aug 24
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PBS News Hour, “Philadelphia public art project ponders meaning behind monuments,” Oct 9
Hyperallergic, “Philadelphia’s Monument Lab asks “What’s Right for Public Space?” Mitchell, Samantha Oct 9
AP News, "Philadelphia Project Seeks Public Reckoning with Monuments," Natalie Pompilio, Sept 4
The Philadelphia Inquirer, “Philly’s big new art project asks: Who deserves a monument, anyway?” Salisbury, Stephan, Sept 14
The Philadelphia Inquirer, “What makes a monument? The artists behind Philly’s giant public art project share their definitions.” The artists of Monument Lab, Sept 24
Bloomberg: CityLab Journal, “What I learned in the monument wars,” Sartwell, Crispin, Oct 6
The Metro, “The New Battle in Germantown,” Newhouse, Sam, Oct 6
Philadelphia Weekly “With all the political upheaval over national monuments, Mural Arts’ Monument Lab is asking big questions,” Marin, Max, Sept 14
American Craft Magazine, “Voices,” Oct/Nov
The Temple News, “Monument Lab is tying poems and memorials for Philadelphians,” Eaddy, Jane Sept
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The Philadelphia Inquirer, “Woodmere Annual show: A vast art portrait of the city,” Newhall, Edith, July 3
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New York Times, “Please Touch the Art and ‘Drifting in Daylight,’ Outdoor Art at the Parks,” Ken Johnson, May 21
Glacier Hub, “Artist Reawakens Glacial Past In Central Park,” Manon Verchot June
Hyperallergic, “Experience Sunset-Colored Ice Cream Cones and Other Art Interludes in Central Park,” Allison Meier on May 14
ArtSlant, “Dreaming in Daylight: Creative Time in Central Park,” Joel Kuennen, May 15
CBC Radio (Toronto’s NPR Station) “Metro Morning with Matt Galloway” Interview, February 24th
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The Washington Post, “Exhibit aims to show future stars”, Ramanathan, Lavanya, February 3
GRAVITY WAS EVERYWHERE BACK THEN, “5. Karyn Olivier: Social Sculptor”, K., Donna, July 5
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Caribbean Review of Books, July 18, "Hungry for Words", Laughlin, Nicholas
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The New York Times, “Colorful, Witty, Noisy: A West Indies Melange”, Genocchio, Benjamin , Dec 4
Tip Berlin, “Made in the USA”, Slaski, Jacek, March 18
KUHF, "The Front Row," Radio interview, Stevenson, Bob, November 16
KUHF News, "Now You See It…Now You Don't: Billboards", Melissa Galvez, November 16
Fox 26 News, “Artist Buys Billboards to Protest Billboards”, Keith, Damali , November 16
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Art Papers, “Karyn Olivier + Amanda Ross-Ho + Lisa Sigal”, McClintock, Diana, May/June
Flash Art International, “Gwangju and Taipei Biennials”, Politi, G., Nov./Dec.
Art in America, “Gwangju Biennale”, Heartney, Eleanor, December
ArtForum, “2008 Gwangju Biennale”, Tinari, Phillip
Mousse, Issue #16, “The Carnival of Art”, Daneri, Anna, January
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St. Louis Post Dispatch, “Artist makes adult creations from childhood icons”, Bonetti, David, March 11
The Village Voice, “The Gang’s all Here”, R.C. Baker, September 14
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The New York Times, “Trace”, Johnson, Ken, August 18
The New York Times, “Beyond Sight”, Cotter, Holland, September 8
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Frieze, Issue 91, “Greater New York”, Eleey, Peter, May
Glasstire (texas visual art online), “Karyn Olivier in NYC”, Jan
The New York Times, “Youth and the Market: Love at First Sight”, Kimmelman, Michael , March 18
Village Voice, “Lesser New York”, Saltz, Jerry, March 28
Time out New York Kids, “Cheap Chills”, Winter 2004/2005
The New York Times, “Where Issues of Black Identity Meet the Concerns of Every Artist”, Smith, Roberta, November 18
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002 Magazine, “The Accidental Artist”, Moloney, Tim, February
Newsday (Queens Edition), “Putting Innovation into ‘Practice’”, Dollar, Steve, January 4
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Houston Chronicle, “Is Houston Hip? UK mag thinks so”, Pugh, Clifford, November 23
Dazed and Confused, “Oil be damned: Houston Art”, Poulson, Alex, December
Houston Press, “Party on the Patio”, Klaasmeyer, Kelly, April 10